It was a very romantic and simple setting good for a date, anniversary or anything where you want to have fun but don't want to deal with the obnoxious fangirls and crowds you might find at a typical rock concert. It was such a calm, peaceful and relaxing atmosphere that I was able to comfortably contemplate this. Something unlike I have heard before and I really found myself wondering how he comes up with the music. It was like a mix between country, folk and oldies and a little bit of something unique and his own. I think what is so appealing to me is how different it is from anything I've listened to before. Maybe it's my stubborn ways or what, but I truly did not expect to enjoy his music like I did.
Wow! Talk about liking something you never thought you would! My husband took me to see Josh Rouse Live for our anniversary last year and I was amazed at how much I enjoyed myself. Following two years of battling depression, Rouse returned to triumphant form with 2015’s “The Embers of Time,” a light-hearted account of his life in Spain and the experiences this offered. Rouse continued to incorporate Spanish influences into his music, on display on 2011’s “Josh Rouse & the Long Vacations.” Yet with 2013’s “The Happiness Waltz,” Rouse returned to his earlier country-based sound. Jones flew out to Spain to meet Rouse, who was living in a small seaside town, with the pair eventually producing 2006’s intimate “Subtitulo.” Several EPs followed before another full-length arrived, which came in the shape of 2007’s “Country Mouse City House.” Rouse’s next effort, 2010’s “El Turista,” captured his relocation to Spain, with some songs also sung in Spanish, although interestingly the album was actually recorded in Nashville.
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The record was Rouse’s most poignant release to date, full of personal lyrics that reflected upon his past. After the breakdown of his marriage in 2005, Rouse recorded the album “Nashville,” a farewell to his adopted home, with the artist moving to Spain shortly after. Rouse teamed up with producer Brad Jones for his fourth release, “1972,” a record that reflected upon the soft rock sounds of his youth, offering a mature album that was wider in its sonic scope. Two further solo releases followed with “Home” and then “Under Cold Blue Stars” in 2002. A friendship with Kurt Wagner soon developed, with the pair collaborating on the EP, “Chester,” in 1999. Rouse soon was on the road again, travelling to Nashville, US, where he based himself as an artist. In 1998, Rouse released his debut album, “Dressed Up Like Nebraska,” which paid tribute to his birthplace, finding critical acclaim with this initial release. In his late teens, Rouse was writing his own material, displaying potential that landed him with a recording contract with Rykodisc subsidiary, Slow River. It was his uncle that provided Rouse with his first musical education, teaching to play guitar. With tis constant upheaval, Rouse found stability in music as he grew up, becoming a fan of the Smiths and the Cure. Explore our menu > Did you know that we offer a premium seating option for those who pre-order a $39 food/beverage voucher? Call 61 to learn more and order.Born in Nebraska, US, Rouse was frequently on the move throughout his childhood, spending time in other US states including South Dakota, Georgia, California, Utah and Arizona. Join us for dinner before or during the show.
This show will be an intimate solo performance by Josh Rouse. The end result, Love In the Modern Age, is an album that still bears Rouse’s distinct fingerprints, even as it pushes his limits and forges a bold new chapter more than 20 years into his celebrated career. Rouse traded in his trusty acoustic guitar for a synthesizer, a move that quickly pulled him in a slew of exciting, unexpected directions. Praised for his “spare and easy sounding guitar songs” by NPR, Rouse first emerged in 1998 with his debut album, Dressed Up Like Nebraska, which Billboard called a “dark horse gem.” Over the next two decades, he released a steady stream of critically lauded records that solidified his status as one of his generation’s most acclaimed songwriters. THIS SHOW HAS BEEN RESCHEDULED FOR OCT 26 "a talent to outrank Ryan Adams or Conor Oberst"
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